The crossadaptive project was presented at several conferences in 2018, and several written publications were made.
At the NIME conference (New Instruments for Musical Expression) at Virginia Tech, we presented a paper: “Working Methods and Instrument Design for Cross-Adaptive Sessions” by Oeyvind Brandtsegg, Trond Engum & Bernt Isak Wærstad
http://nime2018.icat.vt.edu/
We published a paper on the developments of new convolution techniqiues in Applied Sciences: “Live Convolution with Time-Varying Filters”
by Øyvind Brandtsegg, Sigurd Saue and Victor Lazzarini.
https://www.mdpi.com/2076-3417/8/1/103
Brandtsegg presented the project at the Forum IRCAM Workshops in March 2018.
http://forumnet.ircam.fr/
Brandtsegg and Engum presented the project at the European Platform for Artistic research in Music 2018, in Porto.
https://www.aec-music.eu/events/european-platform-for-artistic-research-in-music-2018
We published a paper for Frontiers in Digital Humanities: “Applications of Cross-Adaptive Audio Effects: Automatic Mixing, Live Performance and Everything in Between”
by Joshua D. Reiss and Øyvind Brandtsegg
https://www.frontiersin.org/articles/10.3389/fdigh.2018.00017/full
At the ICLI conference (International Conference on Live Interfaces) in Porto, we presented a paper: “Instrumentality, perception and listening in crossadaptive performance” by Marije Baalman, Simon Emmerson and Øyvind Brandtsegg
http://www.liveinterfaces.org/
Brandtsegg present the project at the International Grieg Research School symposium “Knowing Music -Musical Knowing: Cross disciplinary dialogue on epistemologies” in Trondheim, October 2018.
https://www.uib.no/en/rs/grieg/116427/knowing-music-musical-knowing-cross-disciplinary-dialogue-epistemologies