This session was conducted as part of preparations to the larger session in UCSD Studio A, and we worked on calibration of the analysis methods to Jordans double bass and vocals. Some of the calibration and accomodation of signals also includes the fun creative work of figuring out which effects and which effect parameters to map the analyses to. The session resulted in some new discoveries in this respect, for example using the spectral flux of the bass to control vocal reverb size, and using transient density to control very low range delay time modulations. Among the issues we discussed were aspects of timbral polyphony, i.e. how many simultaneous modulations can we percieve and follow?