As part of the ongoing research on crossadaptive processing and performance, we had a very productive seminar in Trondheim 2. and 3. November (2017). The current post will show the program of presentations, performances and discussions and provide links to more detailed documentation of each session as it becomes available. Each part will be added as the documentations is ready, so if something is missing now, do check back later. The seminar was also streamed here , and the recorded streams will be archived.
In addition to the researchers presenting, we also had an audience of students from the music technology and the jazz departments, as well as other researchers and teachers from NTNU. We are grateful for the input from the audience to enrich our discussions.
Thursday 2. November
Introduction and status.
Maja S.K. Ratkje, Øyvind Brandtsegg, Miller Puckette (standin for Stian Westerhus)
Work methods and session reports. Experiences, insights, reflections.
Trond Engum (with team) [slides] , Bernt Isak Wærstad (with team) [slides]
Instruments and tools
Instrumental affordances, crossadaptivity as instrumental gesture.
Marije Baalman [slides]
Tone Åse, Carl Haakon Waadeland, Trond Engum
Instrument design and technological developments.
Sigurd Saue, Victor Lazzarini, Øyvind Brandtsegg
Friday 3. November
Reflection. Aesthetic and philosophical issues
Bjørnar Habbestad, Gyrid N. Kaldestad, Bernt Isak Wærstad
What does it mean for the performer, for the audience, for the music? How does it change the game?
Solveig Bøe [notes] , Simon Emmerson [slides]
Wider use and perspectives
Experiences with Philippe Manoury and Juliana Snapper, thoughts on instrumental control, and a performance
Miller Puckette [PD patches]
(with Øyvind Brandtsegg for a brief liveconvolver performance)
Looking at the music from the mix perspective. Viability of effects as expression. The wider field of automatic mixing and adaptive effects.
Gary Bromham [slides ], Josh Reiss [slides]
Outcomes and evaluation.
Moderator: Øyvind Brandtsegg